Regarding this poem, Indifference will be a feature of those who, in fact, have not read it. Others will praise or reviled it, the opportunists may growl a word or two turning the conversation to another topic. I think the poem is emotionally open, strong. Babylonian mix of languages is not an obstacle.
Jesus is presented beautifully, that primal Jesus, not through his alleged representatives on Earth, embodied in the make – money organization, as well as power and authority. Oedipal part, although in Father-Daughter relation is the most obvious
in King Richard part, where persistently repeat, like introduction to Ravel’s Bolero, echoes in head of the reader, insisting to be awakened by a Mother from nightmare in this shamelessly and father – less world.
There is a very strong part in conjunction with androgynous snake.
The snake is deeply connected with the Father’s part.
The absence of a King in her life has built a structure prone to resistance to the male part of the world. She identifies herself through the male power, so to speak, trapped in a woman’s body. Hence the emotional affinity
targeted at women.
The lack of a living father, coward without responsibility, on one hand, polarizes her personality since, on the other hand, there is a great dose of love for the aforementioned king, hence simultaneous hatred which initiates ambivalent emotions, hence the lyrics. Anger is directed towards the male gender, and rage against women is turned only to those primitive, deeply stupid and perverse women, ie, those that deserve it with that kind of personality
Jesus is the Father, a kind of father should be. Get up, girl! Jesus, as we know him from the New Testament. He encourages, forgives and does not judge. He prefers sinful children, prostitutes, revolutionaries, thieves, from bland people.
But she does not want protection from evil. She considers herself strong enough to stand up to evil, but rather only to refuse protection, she accepts evil as part of herself, what Njegoš would have said, to do evil, to defend yourself from evil, there is no atrocities in such things.
The choice of location is interesting, selected by Nightmare itself which is logical. If a dream-nightmare is ego and superego compromise, than the sequencing of the images is a universe in itself where there is no time and space.
Splendidly divided in thematic terms, your poem is a circle that folds and unfolds herself, she can exist independently, but as a whole she is rounded and as such she gets her real meaning.
Ljubodrag Stojanovic, https://www.youtube.com/watch?v=73i-fGeWBUo, Serbian writer and poet, he has published the drama Serbian Story (2002), a collection of aphorisms
I, crazy and confused (2009). He is represented in numerous printed and electronic anthologies of poetry and prose works.