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A Display Painting, dedicated to Sabina Nore

Merchants pass art
Like an abandoned church
Doubled, the painting breaks

Across the Holy place,
A kitschy stall
And up for sale

A yellowed picture of the entire family,
Manipulative and false.

Can Vanity even paint?
Even if so, what does it see

A putrid nest of the Vain man
Will grow old with them
While the blindness smirks
Bribed with applause

A sigh
Follows my eyes
To the death of that morning
To the graveground of art
Where I detoured for a while
To light a candle
For its soul.
An impure cheek
Got entangled with a venal hand

The pallet is dying, the she-painter
Smugly swings (herself) at the canvas
digitally

Too much misery have I seen,
Enough to leave.

I might be Russian already,
Set in the eternal capsule and floating
Towards a Siberia of frozen veins.

The pain need not be replaced with hatred
Nor self-loathing.

The pain need be cast out of oneself,
Cast out by crying,
A stream of tears
Instead of blood.

So that they pour out evenly
In its inexhaustibility.

 

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Uncategorized

A Painting Frame, dedicated to Sabina Nore

I wish to create a poem of paintings
Made more beautiful by the blade of a knife.

A gallery, vast and alight.
Hand-crafted objects
Of massive wood deepen the fear;

Tables with little bows, as if cut from boxes of chocolates.
Canvases framed with frail slats.

Faces are present on the exhibit
The types painted
By the vertically challenged girl-friend of pride:

They bite, they pierce…

They are our nothing,
Like our inhaled breath,
Nothing,
Like the exhaled one,
Nothing,
Loquacious and empty
(with a dislocated shoulder or two)

I wish to create a poem of a craftsman
Who paid for his work to be displayed.
I wish to create a poem of a pigsty
It being a continuation
Of a Salierian fear

I wish to write nicely, picturesquely, of the eyesore,
So much so that you could sense it, touch it,
Yet I cannot, when all is nothing
(you cannot grasp the invisible)
I threw the wasteland on and brought a map
Moving towards Vienna at dusk
Where Mozart used to play,
And now wolves cry and lie in it.

A snake stuck in the crack
Its sweet tongue-fork
While it turned the body of the megalopolis
Into a backwoods middle-of-nowhere.

Overjoyed, the apathetic world
Not gazing at the canvasses
Is showing itself to the world.

Through the pap whose turn it was
The salesman accepts the haggle.

Sad, semi-finished paintings
What has a vain hand done to you
to make it only possible through a poet’s visualization
for you to reach what you could once have been.

I see nothing on you
Other than the shining sea
And the glorious terraces where I can enjoy
The stunning view,
Only illness and death,

As if from a ruin
The defeat reeking of rotting fruit
(and someone had probably bought you as well)

I hid away in the embrace
Of the uncertain eternity,
In a dark, mum world.

I have not heard so much silence on a noisier spot
Nor have I smelled so much darkness
Even in the caverns of my heart
While in the waking nightmare, dreaming,

I was choked by a thing very much alive.

fully-illustrated-stats-envy

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