You were chewed by the populist phenomenology
Of verses devoid of poetry
In the band of false troubadours you cannot be actor primarium patrium
Aristocrat among poetesses do not forget that the Arabs divined your fate with arrows

Do not worry, Leila, I enjoyed reading your verses,
I Samira, the trade woman from the satrapy of forgotten empires
On my breasts I bared the burden heavier than the grandiose pillars from Hatra
Forever banished from the cradle of two folk I belonged to by the disfavor of Alan and Beog who found a dying city

samira

Do not worry, Leila, with you are Greeks and Sarmatians and your name is nailed into the Grecian affiches
Announced by Sophocles on fliers and billboards of alternative theaters
And Caligula dances with your Greek single act dramas on Palatine games

Do not worry, Leila, unpopular poetess in a world which you overcame
With the miracle of discovering the secret home in which you mastered silences

Do not forget everything is a matter of injustice because there is no justice
Do not forget the world became a mine field and an insult
Do not forget another world will be chiseled by your verses of immortal longing

Do not worry, Leila, there will be time for all those who hotly growl on the mention of your name to understand

The unbearable ease of existence and the feather of your French Alexandrine.

Uncategorized

In the mirror

I see Suns long passed
the breath which wipes away the glass contours
is frightened and uneasy
The Moon – what a sensitive parasite that is
If I lunge at the mirror
I will crack my tooth structure
I’ll consume the Suns, devour the Moon
Rend asunder hesitant bodies
I hate you, you, you, and you,
though I love all of you
you and you and you.

proza

The scream of butterflies, edited version

The scream of butterflies

It is like a desert where time isn’t told by clocks
it is like the crevice for the jailer to peer into a cell
it is why the birds, to me, have no name
it is the cause of my timid disruptions
it is the cause of my fallen kingdoms
It is not a creature known to human heart
that remains unmentioned amid my words.
SERBIA.

in this land that is not even my own
in this land where proud Palm Readers tell fortunes
(I might say that Serbia is a witchly soil
but there is no magic inside it)

Can I even be alive?
within the poem that screams while singing

(a witchly silence)
me, a flower studded in silence

If I have to die here
leave me to open up in silence
I, a strained water
I, a chained tree
I, a shepherdess in the witch forest
I, the mutes well of
a dying swath or mad, screaming butterflies
yes…

Bitterness? Or purity?
deceptive ventures
and useless experience
you have set in stone my human loneliness

Let us out of here, miss S! ..!!!! (scream of butterflies)
let us fly through
your sullen azure arch
In return,
we’ll celebrate you as a jailer
on the 25^thanniversary of your hammer – existence, scavenger
we will glorify you, we… we, the winged corpses in the pit.

This night of torture
this dawn of tamed passion
this heartbreak soil.

Uncategorized

THE PARTY AT THE BANKSY’S

dedicated to poets and to all those who feel that way

THE LETTER OF PURE REASON ADDRESSED TO BANKSY COVER POET BAND

You can not destroy the Thing.
you are unable to choke it as you like to asphyxiate the human form
ashes to ashes, dust in the mouth, there is a tongue inside or
a thin chord, of the monster – monster mute
after a large cut-off

But you cannot stop the Thing
as you can not stop the body to penetrate into the body,
nor to pause an air to mix with an air, it flows…
into the water, water moves through the water, a wave will cover the wave
at death’s door,
demise is behind a word, vain, the syllables cannot waive her part

THE PARTY AT THE BANKSY’S

While sipped Bollinger at fiscal cash register,
they saw a monster riding the cumulus
no, monster cannot ride a cumulus
logic finds monsters cannot ride a cumulus
the monster came down from cumulus
thus, the nouveau poets and the monster met
at the fiscal cash register, dancing and sipping together

After a drinking session, they tied monster and portrayed him
at the circus performances
because monster does not riding cumulus
a man may be ashamed looking at the face from the monster

WHO FEAR PERSECUTION BY BANKSY COVER POET BAND

Nouveau riche are looking for the word to cage her
how can one cage the word?
the perfect crime for better sales
but you cannot kill the word
for word is the thing and the thing is the monster
as you cannot trap the monster that is riding cumuli

imaginary, vague, impossible
fantasma is dancing in the field of nerves quickly, of
one nervous writer and hid in in his book
inside the book is scratching monster, bound in a story

You cannot kill a book
all you can achieve is that she, with her torn sheath,
hides herself in solitude, reading herself
looking into the wild heart from the sky
and be happy.

d76b96bcdde3bcfc7c61bc443396fabc

The Word in me.
the Music in me.
the Monster in me.

Sure you could get your clows on the book
and ripped her to pieces, sending it into the shadow and trade…
(How much you are strong!
Persistent, especially)
the word pops up from the book,
hops in the air and disappears among the cumulus, screaming:

“God is calling.
God is poetry. Hurry up, Banksy!”
“God’s calling Banksy?”

The Banksy cover poet band has to go to church because it was written
that in the beginning was the Word
so the logical thing to seek the in a church
piety has changed shape.
The Thing had to be quiet, but at least she escaped pests
and this time.
Maybe you are wandering where is she now.
I am looking at her, we are smiling to each other
boocoo dinky dow, she cooes, my sweet little monster

Although ..
Have you ever considered the possibility to kill the Writer?
or is not necessarily.
they are mostly on Banksy sale.

Banksy

A sell out. Somebody who comprimises their integrity, morality and principles for money. It is commonly associated with attempts to increase mass appeal or acceptability to mainstream society.

poetry

Night and an open door, Leila Samarrai

Night and an open door
Spook takes over my head
I see your eyes
Judgment hour – accurately measured moment burns away
I see your eyes
They do not belong to me alone

I threw my soul
Those are the irises of the breeze – yell the dark mirrors
Used up voices grow from blood
They knock over trees by crawling

You return
Roughly wetting the sanctity of my lips
I
Mute and stiff on the threshold
Bitten by the first pain
I spew snake venom

Those are perhaps the silence of your hate and my oblivion
In truth
Neither you, neither me, neither communion

Neither sailors
Left on the lost spectral shores
Neither the cry of ships in the night
Or is it a song of violent love

She is never left voiceless
Even when unheard

poezija

Scream and Whisper, Leila Samarrai

image found here

May the screams echo. After that
The silence will stumble like a whipped wild horse;
A moment pilled inside the throat
Overpowers the yowl and endless wind
That whimpers down the roads of land we are condemned to
In a deaf room, in a deaf night, by deaf ears
The scream in my throat is anchored
To the howling whisper.

proza

Listen, Leila Samarrai

image found here

Listen
Do not wait for the Sun without shadow
It does not differ a harlot
From a drowning woman upon a shore

May the kiss of poetics
Release your thigh to my lips
May the shriek silence everything
Except the gentleness of a fresh prepared rain

I do not regret
That the river sand will cover every stanza

poezija

I AM NOT REALLY FROM AROUND HERE, Leila Samarrai

I AM NOT REALLY FROM AROUND HERE

I no longer even know what you asked me
Nevertheless, ask. As you please!
Through freedom
Devours the spiteful intellect
In the rattle we become humans
„How are your sneakers?!”
I have dark ones.
And capricious!
and (rarely) passionate.
All of them!
Highly unfavorable!
But,
Where did you get
That I am selling My Sneakers?
Why are you looking at sneakers?
Should I
Go barefoot up the steep thorn?
There is something overwhelmingly ridiculous in suffering,
There is something overwhelmingly seducing in losing
Therefore – I gift away!
Nobody controls the windmills.
(Maybe…)
Laughter? Or….
It is me
barefoot
perched in remembrance.

poezija

NUMBER, Leila Samarrai

NUMBER

In the beginning there was a number and it created harmony
Compacted into 10 heavenly veins.

To him the music – owes.
To him – love owes.
To him – the truth owes.
Beauty? Yes!
Each idol in the head– to him the Holy owes.

The Number feeds the Ethiopian children with monads in the midst of Green Africa
Cele-kula (this you must have known!) is built of Numbers,
It is rolled by children down elysian fields of the Righteous

Number rules as well over the body of Osiris,
The Number testified about remaining loaves
On the bodies of hunchbacks and the poor
Which like dark figures of Calais await the whirlwind of Justice
To banish them from the asylum of Doubt.

Number knows of tomorrows and of yesterdays
Number knows who you are, and who am I.

The Number traverses the army of armies of Amen of Libya
While the sheep bleat and search for wolves.

The army hesitates
And swimmers hesitate
Оh, my geometric sea.

THE CHOIR OF IDEALISTS:

О, Pythagorean triad, show yourself!
Who are you?
What are you?
Have you impoverished for us?
Have you thrown away all your mo – Hopes?

NUMBER:

I came to you as a golden calf and you did not recognize me!
There would be no Hymns of the Nile without – Number,
The Colossus of Rhodes would not be without– Number,
Spartacus, yet him, Liberal, not without the – number!

A number, it is the bald, mad poets
And cotter bolts!
Silly, mad, those crazier, the craziest and… Preludes!

Number – arose from Earth for Saturn.
Fell from heavens for Thoth.

CHOIR OF MATERIALISTS:

Take us to the Grand Cut – to tailor holy dresses the day before the Holy day:
For emperors, and their wet nurses
Once again for wet nurses
For shahs , patricians,
Eagles of gold, aghas, tarragons
And other Proposers?

Number – it is harmony, king and cage for verses.
Even some Jacobite is a Number – scarecrow for the Girondist.
And pipsqueak, of course, Antic C. Ма(n)sоn from feces of the Greek revolution.

Number, those are all beginnings
And causes
The golden section of time in caves
With Metempsychosis.

Number, those are all rejected kisses,
Number – measure of doubtfulness and laughter of the insane paladin,
A tucked in courtesan.

Go to the temple of Eros so they shoot an arrow to your chest.
Let all Lunacies fall in love with you
And lunacy enamored to create itself anew within you

And crazy Eros will look at you
Will take out the heart from the womb of the ideal Semele
Shot, walk down the shores of the Peruvian sea
That is how freedom from the Number is deceitfully summed!

Do not envision the Number divided (do not even think about a fraction)
Remember the ten, with a laugh.

That is how Pythagoras counted as well
1
2
3
4
Counted all the way to ten

Ten shoes
And ten shores
And ten dreams
And ten bridges
And ten lunatics

– Pythagoras finishes;
Forbidden to dip horse bean into the number.

I am Etalides and I have been in… in… plants.
I am Pyrrhus and I sojourned inside the rotten womb of gluttonous emperors.
I am Euphorb and I blinded Homer
Because into the Number much like the Sun you cannot gaze long.

I murdered Achilles,
Tarried within Paris,
I cannot claim I have not within you as well.

And the divers keenly look for him,
Beneath the surface are the sunken ships

Carcasses of Hyperborea
Colonnade of martyrs
Silenced witnesses.

„The Number, those are all heavens” – calculated Pythagoras
and discovered the golden thigh in the Theater.

Leila’s blog

Tag Archives: poetess

Marigolds, My Wounds

SAMIRA’S COMFORT

In the mirror

The scream of butterflies, edited version

THE PARTY AT THE BANKSY’S

Night and an open door, Leila Samarrai

Scream and Whisper, Leila Samarrai

Listen, Leila Samarrai

I AM NOT REALLY FROM AROUND HERE, Leila Samarrai

NUMBER, Leila Samarrai